Prvič smo Lilly Krug opazili na rdeči preprogi, ko se je udeležila premiere filma Indiana Jones in artefakt usode na 76. filmskem festivalu v Cannesu, v Palais des Festivals. Njena obleka je bila res osupljiva – eden tistih drznih kosov, pri katerih bi že najmanjši napačen gib lahko pripeljal do neljubega razkritja. Obleko smo že videli v modnih editorialih, a na njej je delovala elegantno in zapeljivo, ne provokativno. Nosila jo je z milino in lepoto, brez sledu vulgarnosti. Že takrat je izstopala je s posebno gracioznostjo, danes pa je zvezda naše nove digitalne naslovnice!
Njene nemške korenine so ob tako karizmatični osebnosti povsem zbledele. Inteligentna, dinamična, prodorna in nadarjena – takšen je bil naš prvi vtis. Ta obleka nam je povedala, da ni kot ostale, temveč da je nekaj redkega. Sedaj pa je dekle postalo ženska. Zrelejša, bolj prizemljena, samozavestna in – kar je najpomembneje – preoblikovana z izkušnjo, ki se je v dveh letih močno razvila. Izstopila je iz modrine morja na plaži Martinez, njen pogled pa je bil tako prodoren, da me je za trenutek spomnila na njeno mamo, igralko Veronico Ferres. A Lilly ima tako močno osebnost, da primerjave postanejo odveč. Je resnično edinstvena. Odrasla Lilly je bolj prefinjena – in še lepša kot prej. GRAZIA se je pogovarjala z lepotico nemških korenin in mlado zvezdo Hollywooda.
Film Shattered, v katerem imaš glavno vlogo, je napet triler – povej nam več o snemanju.
Shattered je psihološki triler, ki raziskuje napetost med nadzorom in ranljivostjo – tako v odnosih kot v nas samih. Prikazuje, kako hitro lahko izgubimo občutek za resnico, ko se prepleteta želja, strah in travma. Moj lik, Sky, je skrivnostna in nepredvidljiva. Včasih je kot ogledalo – odseva to, kar drugi projicirajo vanjo – spet drugič pa skriva nekaj veliko globljega. Očarala me je njena dvoličnost: žrtev in grožnja, nedolžna in manipulativna. Težko jo je opredeliti – prav zato je bila tako zanimiva za igranje. Še posebej, ker je šlo za mojo prvo glavno vlogo, posneto sredi pandemije. Zahtevala je čustveno natančnost in hkrati sposobnost predaje. To je ena tistih zgodb, ki ostanejo s tabo še dolgo po zaključnih napisih, saj ti postavi vprašanja o nadzoru in njegovih mejah.
Lahko bi rekli, da veliko ljudi izkorišča svojo lepoto kot orodje za moč in nadzor. Si že kdaj imela občutek, da tvoja lepota prihaja pred tabo?
Da, še posebej kot ženska v tej industriji, lepota včasih pride v prostor pred tabo. Lahko oblikuje, kako te drugi dojemajo, še preden sploh spregovoriš. Tudi sama sem to občutila – a sem se naučila, da z njo ravnam zavestno. Če nekdo pričakuje nekaj površinskega, to vidim kot priložnost, da ga presenetim z globino. Želim si, da me razumejo, izzivajo in slišijo. Vsaka oseba je več kot samo lep obraz. Tisto, kar te resnično razlikuje, je integriteta, domišljija, delovna etika in pogum, da ostaneš radoveden. Značaj je tisti, ki te obdrži v prostoru.
Navdušila si nas s svojo notranjo močjo in globokimi vrednotami. Kakšna je tvoja prava esenca?
To je res lep kompliment – hvala. Mislim, da moja notranja esenca izvira iz globoke radovednosti. Želim razumeti ljudi, zgodbe, čustva – ne samo jih igrati. Zato tudi študiram psihologijo. Tisto, kar me žene, je povezovanje. Želim ustvarjati zgodbe, ki ljudi premaknejo, jih povežejo ali jim celo pomagajo videti del sebe, ki so ga do tedaj spregledali. Mislim, da je v ranljivosti tiha moč – ko si dovoliš biti resnično viden, brez potrebe po maski ali zaščiti. Tam se skriva prava moč.
Ali verjameš, da ti je dejstvo, da si rojena v Nemčiji, dalo več discipline?
Da, vsekakor. Odraščanje v Nemčiji je oblikovalo moj pristop do dela in življenja. Kultura poudarja strukturo, natančnost in temeljito pripravo. To mi je dalo močne temelje, posebej v industriji, kjer je vse pogosto kaotično. A kar je zanimivo, je to, kako se je ta disciplina morala razvijati. Igranje zahteva strukturo – a tudi predajo. Moraš biti pripravljen zavreči načrt v korist trenutka. Zame je šlo za iskanje ravnotežja: globoka predanost delu in svoboda, da vse spustiš, ko se kamera vklopi.
Combi Emina Amin @emina_amin
Tvoja mama je znana igralka Veronica Ferres. Je bila tvoja inspiracija? Spomnim se, da si nekoč rekla, da si želela postati pevka ali odvetnica. Kako si pristala pri igranju?
Moja mama je bila definitivno inspiracija – ne samo zato, ker je igralka, ampak zaradi načina, kako živi svoje življenje – z močjo in milino. Odraščala sem z zavedanjem, koliko predanosti in čustvene globine zahteva ta poklic – in sem to spoštovala. Dolgo nisem vedela, kaj je moja pot. Želela sem peti, razmišljala sem o pravu – bila sem polna ambicij, a še nisem našla tiste stvari, ki bi me posrkala vase. To se je spremenilo, ko sem prvič stopila na snemalni set. Občutila sem tisto tiho gotovost – kot da se je nekaj v meni sestavilo. Igranje je tam, kjer se srečata intelekt in čustvo. Tam sem najbolj živa. Torej ja, mama je zanetila iskrico – a ognju sem morala slediti po svoje.
Ti je mama dala nasvet, ki ti je pomagal na poti?
Da – mama mi je enkrat rekla: »Ostani zvesta sebi, delaj bolj zavzeto kot kdorkoli drug in ne pozabi se na vse skupaj tudi malo nasmejati.« To je postal moj kompas. V tej industriji je lahko vse zelo naporno – hitro tempo, visoka pričakovanja, reflektorji povsod. A ostati zvesta svojim vrednotam, trdo delati v ozadju in ohraniti smisel za humor – to me drži prizemljeno.
Lani si imela zelo pestro leto. Kmalu, 6. junija ,bo na nemški televiziji predvajan tvoj novi projekt Club der Dinosaurier. Zelo nenavadno ime …
[smeh] Ja, naslov res preseneti – a prav to je njegov čar. Club der Dinosaurier ni to, kar pričakuješ. Na prvi pogled gre za zabavno zgodbo o dveh fantih, ki se trudita najti svoje mesto v šoli, polni testosterona. A pod komedijo se skrivajo teme, kot so toksična moškost, soočanje s preteklostjo in pogum za rast. Gre tudi za pomen podpore – pravi ljudje okoli tebe lahko spremenijo vse.
Lani si snemala tudi Hurricana. Nam zaupaš kaj več?
Hurricana se poglobi v zadnje dni življenja Anne Nicole Smith – ženske, ki so jo občudovali, a tudi močno narobe razumeli. Ganilo me je, kako film odstrani senzacionalizem in pokaže človeka za mitom. Gre za zgodbo o zasvojenosti, osamljenosti in visoki ceni slave. A hkrati ponudi prostor za nežnost – za kompleksnost ženske, ki je bila globoko ranljiva, a je neprenehoma kazala moč.
Kaj pa April X?
April X je napet triler, postavljen v bližnjo prihodnost, ki spremlja dvojčka April in Bax. Ko April izgine, se njen brat spusti v najtemnejše kotičke mesta – in svoje lastne psihe – v iskanju sestre. Film raziskuje identiteto, spomin in razpad jaza, ko se ljubezen preplete z obsesijo. April je bila izjemno skrivnostna vloga – surova, izmuzljiva in večplastna.
Dress & clutch Lena Erziak @lena_erziak
Kaj ti je najpomembnejše, ko sprejmeš vlogo?
Vedno si zastavim vprašanje: Zakaj ta zgodba in zakaj zdaj? Ko berem scenarij, moram nekaj občutiti: radovednost, nelagodje, prepoznavanje. Če me lik malo prestraši ali izzove moj pogled na svet, vem, da je vreden raziskovanja. Zelo mi je pomembno tudi, kdo stoji za projektom – energija ekipe, nameni ustvarjalcev, sporočilo, ki ga želimo posredovati svetu. Želim biti del zgodb, ki pustijo pečat.
Posnela si tudi film DRAGN. Povej nam več.
DRAGN je napet znanstvenofantastični grozljivka, ki odpira ključno vprašanje: Kaj se zgodi, ko umetna inteligenca prevzame nadzor – in mi več nismo gospodarji? Dogaja se med timbilding vikendom v odročnem gozdu. A hitro se prijeten izlet spremeni v boj za preživetje, ko se AI-drone spravi na skupino. Pod napetostjo in adrenalinom film postavlja prava vprašanja o tehnologiji in naši odvisnosti od nje. In bilo je presenetljivo zabavno snemati grozljivko.
Po Cannesu potuješ na Malto na snemanje novega filma. Nam lahko zaupaš kaj več?
Zelo sem navdušena nad tem projektom. Ne smem povedati veliko – razen tega, da temelji na čudovitem in čustveno bogatem romanu, ki je mnogim zelo pri srcu. Gre za zgodbo o zdravljenju, samospoštovanju in iskanju moči na nepričakovanih mestih. Kmalu bom lahko povedala več!
Če bi si lahko izbrala katerokoli vlogo na svetu in najboljšega režiserja – koga in kaj bi izbrala?
Toliko sanj … A sodelovati z Denisom Villeneuvejem ali Luco Guadagninom bi bilo neverjetno. Rada bi igrala globoko nepopolno junakinjo – nekoga kot Lady Macbeth ali sodobno verzijo Ivane Orleanske. Privlačijo me liki, ki so nepopustljivi v svoji intenzivnosti in kompleksnosti.
Citati, ki najbolje opišejo Lilly:
»Vsak lik, ki ga igram, me nauči nekaj, za kar nisem vedela, da sem pripravljena izvedeti.«
We first noticed Lilly Krug on the red carpet at the premiere of Indiana Jones and the Dial of Destiny during the 76th Cannes Film Festival, held at the Palais des Festivals. Her dress was truly stunning—one of those daring pieces where even the slightest wrong move could have led to an unfortunate reveal. We had already seen the gown in fashion editorials, but on her, it looked elegant and seductive rather than provocative. She wore it with grace and beauty, without a trace of vulgarity. Even then, she stood out with a unique poise—and today, she graces our new digital cover!
Her German roots faded quickly in the presence of such charisma. Intelligent, dynamic, sharp, and talented—that was our first impression. That dress told us she wasn’t like the others; she was something rare. Now, the girl has become a woman. More mature, grounded, confident—and most importantly, shaped by experience that has evolved significantly over the past two years. She emerged from the blue sea by the Martinez beach, and for a brief moment, her piercing gaze reminded us of her mother, actress Veronica Ferres. But Lilly’s personality is so strong that comparisons become unnecessary. She is truly one of a kind. The grown-up Lilly is more refined—and even more beautiful than before. GRAZIA sat down with the young Hollywood star of German descent.
The film Shattered, in which you play the lead role, is a gripping thriller – tell us more about the shoot.
Shattered is a psychological thriller that explores the tension between control and vulnerability – both in relationships and within ourselves. It shows how easily we can lose our sense of reality when desire, fear, and trauma intertwine. My character, Sky, is mysterious and unpredictable. At times, she’s like a mirror – reflecting what others project onto her – and at other times, she’s hiding something much deeper. I was drawn to her duality: both victim and threat, innocent and manipulative. She’s hard to define – which is exactly what made her so fascinating to play. Especially since it was my first leading role, filmed in the midst of the pandemic. It demanded emotional precision and, at the same time, the ability to let go. It’s one of those stories that stays with you long after the credits roll, because it raises questions about control and its limits.
Many people use beauty as a tool for power and control. Have you ever felt like your beauty enters a room before you do?
Yes, especially as a woman in this industry, beauty sometimes enters the room before you do. It can shape how people perceive you – before you’ve even spoken. I’ve felt that, too – but I’ve learned to handle it consciously. If someone expects something superficial, I see it as a chance to surprise them with depth. I want to be understood, challenged, and heard. Every person is more than just a beautiful face. What truly sets you apart is integrity, imagination, work ethic, and the courage to stay curious. Character is what keeps you in the room.
You’ve impressed us with your inner strength and deep values. What would you say is your true essence?
That’s such a beautiful compliment – thank you. I think my essence comes from a deep curiosity. I want to understand people, stories, emotions – not just perform them. That’s why I study psychology, too. What drives me is connection. I want to tell stories that move people, connect them, or even help them see a part of themselves they may have overlooked. I believe there’s quiet power in vulnerability – when you allow yourself to truly be seen, without the need for a mask or defense. That’s where real strength lies.
Do you think being born in Germany gave you more discipline?
Yes, absolutely. Growing up in Germany shaped how I approach work and life. The culture emphasizes structure, precision, and thorough preparation. It gave me a strong foundation – especially in an industry that’s often chaotic. What’s interesting is how that discipline had to evolve. Acting requires structure – but also surrender. You have to be ready to throw out the plan in favor of the moment. For me, it’s been about finding balance: deep commitment to the work, and freedom to let go when the camera starts rolling.
Your mother is well-known actress Veronica Ferres. Was she your inspiration? I recall you once said you wanted to be a singer or a lawyer. How did you end up acting?
My mom definitely was an inspiration – not just because she’s an actress, but because of how she lives her life – with strength and grace.
I grew up understanding how much dedication and emotional depth this profession demands – and I respected that. For a long time, I didn’t know what my path was. I wanted to sing, I considered law – I was full of ambition but hadn’t yet found what would completely draw me in. That changed the moment I stepped onto a film set for the first time. I felt this quiet certainty – like something inside me had clicked. Acting is where intellect and emotion meet. It’s where I feel most alive. So yes, my mom sparked the flame – but I had to follow the fire in my own way.
Did your mother give you any advice that helped guide your journey?
Yes – she once told me: “Stay true to yourself, work harder than anyone else, and don’t forget to laugh along the way.” That became my compass. In this industry, things can get overwhelming – the fast pace, high expectations, constant spotlight. But staying true to my values, working hard behind the scenes, and keeping a sense of humor – that’s what keeps me grounded.
Last year was intense for you. Soon, on June 6th, your new project Club der Dinosaurier will air on German television. The title is quite unexpected…
laughs Yes, the title does catch you off guard – but that’s part of its charm. Club der Dinosaurier isn’t what you expect. On the surface, it’s a fun story about two boys trying to find their place in a school full of testosterone. But beneath the comedy are themes like toxic masculinity, confronting the past, and the courage to grow. It’s also about the power of support – the right people around you can change everything.
You also filmed Hurricana last year. Can you tell us more?
Hurricana dives into the final days of Anna Nicole Smith’s life – a woman who was admired, but also deeply misunderstood. What moved me was how the film strips away the sensationalism and reveals the human behind the myth. It’s a story about addiction, loneliness, and the high cost of fame. But it also offers space for tenderness – for the complexity of a woman who was deeply vulnerable, yet constantly showed strength.
What about April X?
April X is a tense thriller set in the near future, following twins April and Bax. When April disappears, her brother dives into the darkest corners of the city – and his own psyche – to find her. The film explores identity, memory, and the disintegration of self when love becomes obsession. April was a very mysterious role – raw, elusive, and layered.
What matters most to you when choosing a role?
I always ask myself: Why this story, and why now? When I read a script, I need to feel something: curiosity, discomfort, recognition. If a character scares me a little or challenges my worldview, I know it’s worth exploring. It’s also important to me who’s behind the project – the team’s energy, the creators’ intentions, and the message we want to share with the world. I want to be part of stories that leave a mark.
You also made the film DRAGN. Tell us more.
DRAGN is a suspenseful sci-fi horror film that poses a vital question: What happens when artificial intelligence takes control – and we’re no longer in charge? It takes place during a team-building weekend in a remote forest. But what starts as a pleasant retreat quickly turns into a fight for survival when an AI drone targets the group. Beneath the tension and adrenaline, the film raises real questions about technology and our dependency on it. And honestly – it was surprisingly fun to shoot a horror movie.
After Cannes, you’re heading to Malta to film a new project. Can you share anything yet?
I’m really excited about this project. I can’t say much yet – except that it’s based on a beautiful and emotionally rich novel that’s very dear to many. It’s a story about healing, self-worth, and finding strength in unexpected places. I’ll be able to say more very soon!
If you could choose any role in the world and work with the best director – who and what would you choose?
So many dreams… But working with Denis Villeneuve or Luca Guadagnino would be incredible. I’d love to play a deeply flawed heroine – someone like Lady Macbeth, or a modern-day version of Joan of Arc. I’m drawn to characters who are relentless in their intensity and complexity.
A quote that best describes Lilly:
“Every character I play teaches me something I didn’t know I was ready to learn.”
Obleka La Koradior @lakoradior
